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	<title>music Archives - Anton Hoyer</title>
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	<title>music Archives - Anton Hoyer</title>
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	<item>
		<title>snake_case</title>
		<link>https://antonhoyer.com/snake_case/</link>
					<comments>https://antonhoyer.com/snake_case/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[logic]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=2406</guid>

					<description><![CDATA[<p>This album is the fourth in a growing collection, following UPPERCASE, lowercase, and Title Case. However, you may notice that snake_case contains more melodic parts compared to its predecessors. It is no longer just ambient but electronic, in parts even emulating the sound of Imperfektionist, my other musical main project. Further inspiration was drawn from [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/snake_case/">snake_case</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Title Case</title>
		<link>https://antonhoyer.com/title-case/</link>
					<comments>https://antonhoyer.com/title-case/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sat, 21 Dec 2024 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=1971</guid>

					<description><![CDATA[<p>There is not much to say about my sixth electronic album, Title Case, other than it follows in the musical footsteps of the fifth album, lowercase. Long gone are the Wild West days of ADME—the randomized MATLAB synths, crude 909 beats, and unmixed audio tracks. I promise to return one day as I am rebuilding [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/title-case/">Title Case</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>lowercase</title>
		<link>https://antonhoyer.com/lowercase/</link>
					<comments>https://antonhoyer.com/lowercase/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Fri, 19 Jul 2024 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=1850</guid>

					<description><![CDATA[<p>There is not much to say about my fifth electronic album, lowercase, other than it follows in the musical footsteps of the fourth album, UPPERCASE. Long gone are the days of randomized MATLAB synths, crude 909 beats, and unmixed audio tracks. However, despite the name, this album is not lowercase (i.e., the musical genre) because [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/lowercase/">lowercase</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>UPPERCASE</title>
		<link>https://antonhoyer.com/uppercase/</link>
					<comments>https://antonhoyer.com/uppercase/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sun, 14 Apr 2024 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<category><![CDATA[war]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=1511</guid>

					<description><![CDATA[<p>Contrary to what I promised after the third ADME album, I have not abandoned ADME or the UPPERCASE music genre entirely. But truth be told, even forgiving listeners found the sound mostly too extreme. Hence, I switched strategies, now relying on commercially available software to produce electronic music. To be precise, this album may be [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/uppercase/">UPPERCASE</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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		<item>
		<title>BAD WISH</title>
		<link>https://antonhoyer.com/bad-wish/</link>
					<comments>https://antonhoyer.com/bad-wish/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sat, 22 Jan 2022 20:00:00 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[english]]></category>
		<category><![CDATA[fingerstyle]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[imperfektionist]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[lyrics]]></category>
		<category><![CDATA[melancholic]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[oddmeter]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[progressive]]></category>
		<category><![CDATA[vocals]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=236</guid>

					<description><![CDATA[<p>“BAD WISH” is a concept album with seven distinct features: For the first time, I understood that when producing music, less actually is more. This meant that I reduced the number of audio tracks per song to about 13, for the most part using only one guitar and one synth. Whereas my previous albums almost [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/bad-wish/">BAD WISH</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>DEEP FL0YD</title>
		<link>https://antonhoyer.com/deep-fl0yd/</link>
					<comments>https://antonhoyer.com/deep-fl0yd/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Tue, 23 Feb 2021 20:00:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Experimental]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[algorithm]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[circle]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[deep]]></category>
		<category><![CDATA[envelope]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[floyd]]></category>
		<category><![CDATA[graphic]]></category>
		<category><![CDATA[image]]></category>
		<category><![CDATA[input]]></category>
		<category><![CDATA[line]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[matlab]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[random]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[visualizer]]></category>
		<category><![CDATA[wyld]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=718</guid>

					<description><![CDATA[<p>⚠️ WARNING: The videos on this page use rapidly changing visual patterns and may cause seizures in some viewers. Some videos may also contain traces of profanity, violence, porn, inside jokes, floyds, glitches, and pseudo-randomness. Be sure to watch in 1440p because any lower resolution will look like crap. Also, please install uBlock Origin because [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/deep-fl0yd/">DEEP FL0YD</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Pleasure Pressure</title>
		<link>https://antonhoyer.com/pleasure-pressure/</link>
					<comments>https://antonhoyer.com/pleasure-pressure/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sun, 21 Feb 2021 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[909]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[matlab]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=387</guid>

					<description><![CDATA[<p>After producing two albums with ADME, I pondered what else I could add to it. The most significant addition was the implementation of LFOs (low-frequency oscillators). However, before I dive deeper into that, I need to briefly discuss oscillators in general. When we hear a sound played over a loudspeaker, we are actually hearing the [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/pleasure-pressure/">Pleasure Pressure</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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		<item>
		<title>Parametric Eclecticism</title>
		<link>https://antonhoyer.com/parametric-eclecticism/</link>
					<comments>https://antonhoyer.com/parametric-eclecticism/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Mon, 09 Nov 2020 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[909]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[matlab]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=385</guid>

					<description><![CDATA[<p>Apart from my father’s comment on the first ADME album, where he literally called it “madness,” the feedback I received was unanimous: “Where are the drums?” So, I needed drums or at least beats. However, first, I wanted to improve the synthesizer so that it would accept image files as input as well. It seemed [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/parametric-eclecticism/">Parametric Eclecticism</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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		<title>She’s Suspiring</title>
		<link>https://antonhoyer.com/shes-suspiring/</link>
					<comments>https://antonhoyer.com/shes-suspiring/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Tue, 28 Apr 2020 20:00:00 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[english]]></category>
		<category><![CDATA[fingerstyle]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[imperfektionist]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[lyrics]]></category>
		<category><![CDATA[melancholic]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[oddmeter]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[progressive]]></category>
		<category><![CDATA[vocals]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=244</guid>

					<description><![CDATA[<p>The circumstances surrounding the production of the album “She’s Suspiring” are largely unknown. However, certain facts or at least partial certainties can be gleaned from the interview transcript provided below. Additionally, one particular grandmother commented, “To me, the songs all sound the same. Something for young people.” From that I take, that old people don’t [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/shes-suspiring/">She’s Suspiring</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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		<title>Abrasive Brushing</title>
		<link>https://antonhoyer.com/abrasive-brushing/</link>
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		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Thu, 09 Jan 2020 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[matlab]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=383</guid>

					<description><![CDATA[<p>After I coded the first version of ADME, I wanted to work with the experimental data I collected at my workplace. Without much consideration, I arranged the audio samples I liked best on three parallel channels (left, center, and right) in Cubase and created the track “F0rced Entry,” which features a wide range of low [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/abrasive-brushing/">Abrasive Brushing</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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		<title>She’s Respiring</title>
		<link>https://antonhoyer.com/shes-respiring/</link>
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		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Thu, 13 Sep 2018 20:00:00 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[english]]></category>
		<category><![CDATA[german]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[imperfektionist]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[lyrics]]></category>
		<category><![CDATA[melancholic]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[oddmeter]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[progressive]]></category>
		<category><![CDATA[vocals]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=246</guid>

					<description><![CDATA[<p>The precise circumstances surrounding the production of the album “She’s Respiring” are unknown. However, certain facts or at least partial certainties can be gleaned from the FQA provided below. Tracklist01 ⋅ Album Loading ⋅ 1:3002 ⋅ Bloody Type (Lichtspielhaus) ⋅ 4:1003 ⋅ Enticeress [feat. Córka] ⋅ 6:1504 ⋅ Hercules ⋅ 3:2305 ⋅ I&#8217;m in Love [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/shes-respiring/">She’s Respiring</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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		<title>Regine</title>
		<link>https://antonhoyer.com/regine/</link>
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		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Wed, 11 Oct 2017 20:00:00 +0000</pubDate>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[computer]]></category>
		<category><![CDATA[ensemble]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[firstperson]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[german]]></category>
		<category><![CDATA[journal]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[narrator]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[oppression]]></category>
		<category><![CDATA[paranoia]]></category>
		<category><![CDATA[romance]]></category>
		<category><![CDATA[totalitarian]]></category>
		<category><![CDATA[tourism]]></category>
		<category><![CDATA[travel]]></category>
		<category><![CDATA[violence]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=330</guid>

					<description><![CDATA[<p>⚠️ This book is currently not available to the public. If you are interested, please comment on this post, and I might send you a download code. “To become musically inclined, London DJ ‘Ulix’ embarks on a week-long journey to the totalitarian Musedonia, where people literally speak Musical and composing one’s own music is punishable [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/regine/">Regine</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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		<title>She’s Conspiring</title>
		<link>https://antonhoyer.com/shes-conspiring/</link>
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		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Thu, 02 Feb 2017 20:00:00 +0000</pubDate>
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		<guid isPermaLink="false">https://antonhoyer.com/?p=248</guid>

					<description><![CDATA[<p>Many of the circumstances surrounding the production of the album &#8220;She&#8217;s Conspiring&#8221; are unknown. However, certain facts or at least partial certainties can be gleaned from the interview posted below. Additionally, an early track list from October 10, 2016, has recently been unearthed. It features six tracks that cannot be found on the final album, [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/shes-conspiring/">She’s Conspiring</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
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		<title>She’s Aspiring</title>
		<link>https://antonhoyer.com/shes-aspiring/</link>
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		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Fri, 22 Apr 2016 20:00:00 +0000</pubDate>
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		<guid isPermaLink="false">https://antonhoyer.com/?p=250</guid>

					<description><![CDATA[<p>The exact circumstances surrounding the production of the album “She’s Suspiring” are largely unknown. However, certain facts or at least partial certainties can be gleaned from the interview provided below. Tracklist01 ⋅ After the Low ⋅ 2:5002 ⋅ From Me to You ⋅ 5:2003 ⋅ Good Bloom ⋅ 3:3004 ⋅ I Fray ⋅ 4:1005 ⋅ [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/shes-aspiring/">She’s Aspiring</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
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		<title>She’s Expiring</title>
		<link>https://antonhoyer.com/shes-expiring/</link>
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		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Tue, 17 Nov 2015 20:00:00 +0000</pubDate>
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		<guid isPermaLink="false">https://antonhoyer.com/?p=252</guid>

					<description><![CDATA[<p>Few facts are known surrounding the production of the album “She’s Expiring”. However, some things can be learned from the interview provided below. Tracklist01 ⋅ A Usual End ⋅ 2:1002 ⋅ Carry the Flame ⋅ 3:0003 ⋅ Decay (Is Eternity) ⋅ 4:4004 ⋅ Don&#8217;t Let the Anger ⋅ 3:5905 ⋅ Hole in Me ⋅ 3:3306 [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/shes-expiring/">She’s Expiring</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
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		<title>She’s Inspiring</title>
		<link>https://antonhoyer.com/shes-inspiring/</link>
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		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sun, 03 Aug 2014 20:00:00 +0000</pubDate>
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		<guid isPermaLink="false">https://antonhoyer.com/?p=254</guid>

					<description><![CDATA[<p>Almost nothing is known regarding the production of the album “She’s Inspiring.” However, some things can be learned from the interview below. Tracklist01 ⋅ Always ⋅ 2:1102 ⋅ ATCV ⋅ 3:5403 ⋅ Burning for the Host Tonight ⋅ 3:2704 ⋅ Drawback (of My Lucky Love) ⋅ 2:5005 ⋅ Heart&#8217;s Still Beating ⋅ 3:0006 ⋅ Hopeful [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/shes-inspiring/">She’s Inspiring</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
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