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	<title>uppercase Archives - Anton Hoyer</title>
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		<title>snake_case</title>
		<link>https://antonhoyer.com/snake_case/</link>
					<comments>https://antonhoyer.com/snake_case/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[logic]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=2406</guid>

					<description><![CDATA[<p>This album is the fourth in a growing collection, following UPPERCASE, lowercase, and Title Case. However, you may notice that snake_case contains more melodic parts compared to its predecessors. It is no longer just ambient but electronic, in parts even emulating the sound of Imperfektionist, my other musical main project. Further inspiration was drawn from [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/snake_case/">snake_case</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Title Case</title>
		<link>https://antonhoyer.com/title-case/</link>
					<comments>https://antonhoyer.com/title-case/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sat, 21 Dec 2024 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=1971</guid>

					<description><![CDATA[<p>There is not much to say about my sixth electronic album, Title Case, other than it follows in the musical footsteps of the fifth album, lowercase. Long gone are the Wild West days of ADME—the randomized MATLAB synths, crude 909 beats, and unmixed audio tracks. I promise to return one day as I am rebuilding [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/title-case/">Title Case</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
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		<title>lowercase</title>
		<link>https://antonhoyer.com/lowercase/</link>
					<comments>https://antonhoyer.com/lowercase/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Fri, 19 Jul 2024 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=1850</guid>

					<description><![CDATA[<p>There is not much to say about my fifth electronic album, lowercase, other than it follows in the musical footsteps of the fourth album, UPPERCASE. Long gone are the days of randomized MATLAB synths, crude 909 beats, and unmixed audio tracks. However, despite the name, this album is not lowercase (i.e., the musical genre) because [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/lowercase/">lowercase</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>UPPERCASE</title>
		<link>https://antonhoyer.com/uppercase/</link>
					<comments>https://antonhoyer.com/uppercase/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sun, 14 Apr 2024 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[cubase]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[lowercase]]></category>
		<category><![CDATA[marapeters]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[minimalism]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[serum]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<category><![CDATA[war]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=1511</guid>

					<description><![CDATA[<p>Contrary to what I promised after the third ADME album, I have not abandoned ADME or the UPPERCASE music genre entirely. But truth be told, even forgiving listeners found the sound mostly too extreme. Hence, I switched strategies, now relying on commercially available software to produce electronic music. To be precise, this album may be [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/uppercase/">UPPERCASE</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Pleasure Pressure</title>
		<link>https://antonhoyer.com/pleasure-pressure/</link>
					<comments>https://antonhoyer.com/pleasure-pressure/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Sun, 21 Feb 2021 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[909]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[matlab]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=387</guid>

					<description><![CDATA[<p>After producing two albums with ADME, I pondered what else I could add to it. The most significant addition was the implementation of LFOs (low-frequency oscillators). However, before I dive deeper into that, I need to briefly discuss oscillators in general. When we hear a sound played over a loudspeaker, we are actually hearing the [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/pleasure-pressure/">Pleasure Pressure</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Parametric Eclecticism</title>
		<link>https://antonhoyer.com/parametric-eclecticism/</link>
					<comments>https://antonhoyer.com/parametric-eclecticism/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Mon, 09 Nov 2020 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[909]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[matlab]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=385</guid>

					<description><![CDATA[<p>Apart from my father’s comment on the first ADME album, where he literally called it “madness,” the feedback I received was unanimous: “Where are the drums?” So, I needed drums or at least beats. However, first, I wanted to improve the synthesizer so that it would accept image files as input as well. It seemed [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/parametric-eclecticism/">Parametric Eclecticism</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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			</item>
		<item>
		<title>Abrasive Brushing</title>
		<link>https://antonhoyer.com/abrasive-brushing/</link>
					<comments>https://antonhoyer.com/abrasive-brushing/#respond</comments>
		
		<dc:creator><![CDATA[Anton Hoyer]]></dc:creator>
		<pubDate>Thu, 09 Jan 2020 20:00:00 +0000</pubDate>
				<category><![CDATA[Experimental]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[adme]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[matlab]]></category>
		<category><![CDATA[microtonal]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nanotheory]]></category>
		<category><![CDATA[noise]]></category>
		<category><![CDATA[synth]]></category>
		<category><![CDATA[uppercase]]></category>
		<guid isPermaLink="false">https://antonhoyer.com/?p=383</guid>

					<description><![CDATA[<p>After I coded the first version of ADME, I wanted to work with the experimental data I collected at my workplace. Without much consideration, I arranged the audio samples I liked best on three parallel channels (left, center, and right) in Cubase and created the track “F0rced Entry,” which features a wide range of low [&#8230;]</p>
<p>The post <a href="https://antonhoyer.com/abrasive-brushing/">Abrasive Brushing</a> appeared first on <a href="https://antonhoyer.com">Anton Hoyer</a>.</p>
]]></description>
		
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